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art criticism

GENERAL
ON JOHN CAGE
New Landscapes in Art

The New York Times, 1979

Dividing the Light from the Darkness

Artforum, 1981

Women's Work (or Is It Art?) Is Never Done

The New York Times, 1996

A Month in Shaker Country

The New York Times, 1997

Tracing a Long Voyage Into the Mainstream

The New York Times, 1998

Cautionary Tales of Wisdom in Ferocious Forms

The New York Times, 1999

A Humble River Town Acquires the Ambience of Art

The New York Times, 2002

The Art was Abstract, the Memories are Concrete

The New York Times, 2002

Art: Karma? Top Floor, Next to Shoes

The New York Times, 2004

I Slept in Roden Crater

ARTnews, 2004

4'33" – Kay Larson on John Cage’s “Silent Piece"

Tricycle: The Buddhist Review, 1999

Cage Was Not Only All Ears, He Was All Eyes Too

The New York Times, 2001

Cunningham and Cage

Buddhadharma: The Practitioner’s Journal, 2009

Five Men and a Bride: The Birth of Art 'Post-Modern'

PAJ, 2013

The Key to Understanding John Cage's Silent Piece at M0MA

PAJ, 2013

No-Self Portraits

Tricycle: The Buddhist Review, 2020